European Films & An Analysis Essay Example for Free

European Films An Analysis Essay Films are products of culture. It is a culture woven into a piece of art. Films are like mirrors reflecting certain cultures, and these cultures in turn, are also affected back by these films in which they relate to. In fact, film is considered as one great type of art because of its effectiveness in influencing its audience or film viewers. It is therefore very important to be careful of what should be shown to the viewers though films because of the possible effects that it can do to the public, a social entity that is reemerging from the film with a well-defined historical and contemporary roles and functions. This public is where the film audiences also came from and, audience, is the group where the film is appealing to, influencing them, their thoughts, their ideas and their beliefs as they see their own culture unfolds before them in front of the screen through the motion pictures. It is actually difficult to visualize an instituted and strengthened public/national identity without reinforcement between or among those who are sharing this national identity. The role of films therefore is to relay the information back to those individuals with shared identity, values, culture and many other things in â€Å"their sense of common cultural memory or mutual belonging†1 according to David Forgacs, stated in the book of Ricci. With this high sensibility to the public, more often than not, governments take some, or even much, precautions before allowing some release of films by regulating them or, sometimes, governments take advantage of the films to promote their national goals through the encouragement of some themes in them in exchange to some benefits and privileges given to filmmakers. II. Major European Nations and Their Films It is important to understand that films are generally regulated. Some institutions located in a country or region into where the film is based or created, or the culture of that region or area where the film relates to, must also be considered in the creation of that certain film. Films must also be paralleled or must be aligned with the whims of the regulatory bodies controlling them, or else they cannot be approved for public release and viewing. At present day, these regulations are apparent to some directives given by governing bodies such as the European Union (EU) in European countries. Some of the directive’s provision includes statement such as: †broadcasters reserve for European works the majority proportion of their transmission time†2. This is the general directive. Each country however has their respective ways of regulating and directing their own film industries as well as the films that are to be shown in their respective territories, both in the past and presently. In English film industry in the early eightees, before Thatcher’s intervention, it â€Å"had been generally expected that a Labour government would increase state support for film in recognition of its cultural, and not just commercial, worth† 3 (Hill 1996, 101) Another film industry that can be seen as controlled, making the art as a means to encourage national goals, is seen in the French national film industry where there are quotas as to the percentage of European and American/foreign films that may be shown to the public, and this is claimed to be in accordance with cultural preservation of European values. In Italy however, films are freer and without so much restrictions imposed upon their approval and release to the public. In the early 1920’s Soviet era, foreign films were even utilized for the purpose of its own â€Å"industrys recovery†. 4 The following section focuses on major European nations and their national film forms in depth analyses in their institutional context. This includes the English, French and Italian film industries among others. III. Selected European Films in Their Institutional Context As the Second World War approached, it was believed that the film productions in European areas were random. That was history. Today, aside from the umbrella rules of the recent EU Directive, each nation, especially the greater ones, have their own sets of rules and policies, as well as style and culture in their respective film industries. The following are major European countries/areas and how their respective film industries are with respect to institutional context/

where is all of my money going? Essay -- essays research papers

While searching through various newspapers and newspaper web sites online, I realized that the biggest social problem of all is the how misinformed and uneducated the public is. In search of articles on important social problems, the most prominent topics I found were things such as â€Å"Halliburton is awarded $72 Million in Bonuses,† â€Å"Putin blows of steam over baltics at EU Summit,† â€Å"Egypt Presidential Vote may not be very open,† â€Å"China is unwilling to impose sanctions on North Koreans.† Although these are fairly important â€Å"world† issues, they aren’t as important as things such as global structural inequality, racial and ethnic problems, gender inequality and male superiority, over consumption and starvation, and globalization and technology. It seems that people are so caught up in the smaller issues that we forget that some countries are wasting too much of the world’s resources, while other countries are starv ing to death, and ultimately we’re destroying the Earth at a rate faster than even imaginable. But that’s not what we hear on the news because we’re so caught up with the â€Å"runaway bride,† and the naughty priests.   Ã‚  Ã‚  Ã‚  Ã‚  I did, however, find an article that somewhat relates to the issue of overspending and misplacing our funds while we’re at it. The article is from the Los Angeles Times and is entitled â€Å"$82 Billion Okd in Emergency Spending.† I’ve never managed national budgets, but with that kind of money we could build countries and feed billion...

Pro Gun Control

The topic of gun control has always been a volatile topic often discussed in politics. Gun control may be defined as any law, practice or policy proposed to restrict or limit the possession, use or production of guns by citizens of our country. The topic of gun control increased in popularity in the 1960’s when national crime rates dramatically increased. â€Å"With more than 20,000 laws on the books at the local, state and federal levels, firearms are in fact one of the most regulated products in America,† says the National Riffle Association. Can Gun Control Work? pg. 19) The argument for gun control is that it will lower the crime rates nationally, increase prevention of suicides as well as avoid illegal obtaining of guns. â€Å"A policy that reduces the availability of handguns will reduce the amount of firearms violence. † (How Can Gun Violence Be Reduced; pg. 11) However I do not agree with this argument. â€Å"Gun confiscation leads to a loss of freedom, increased crime, and the government moving to the left. (How Can Gun Violence Be Reduced; pg. 18) My position on the topic of gun control is that an increase in gun control will not only infringe on our rights as a citizen (i. e. the second Amendment), it will also increase the crime rates because many people who use guns for violence will turn to other illegal means to obtain their firearm, and the increase use of the black market will impair our economy. Violent crime is what makes guns a big social problem and causes the motivation for gun control. There is a gun crisis in the United States. Between 1933 and 1982, nearly one million Americans were killed by firearms in murders, suicides and accidents. Since 1960 alone, more than half a million have died as a result of gun injuries. In 1992, at least 35,000 died in gunfire. Today, among all consumer products, only cars outpace guns as a cause of fatal injury, and guns will likely pass them by 2002. † (Can Gun Control Work? P g. 3)

William Shakespeare s Much Ado About Nothing - 1204 Words

I will be considering the role of the villain in Much Ado About Nothing, and will conduct rhetorical analyses that will proceed to view the perspective of the villain and his or her intentions. Much Ado About Nothing written by William Shakespeare intending this play to be a comedy. Although it is hard to comprehend the comedy within the play. The characters within this play are all linked together by having a relationship that looks like a telephone wire game. The characters dilemma develops an emotional state of being towards the characters. These actions are intentions from a specific character. This character is the type of person who has an egoistic charisma that eludes him to be better than anyone, because of his low self-esteem. His villain acts create a major conflict throughout the play. Don John is the name of the villain in Much Ado About Nothing, we will be spotting the dimension of Don John’s acts as well as the motivation that leads this character to interlude hi s characteristic villain acts towards this plays, and how does the play and the characters deal with Don John. Don John is the type of human who creates rules to satisfy himself and his needs to believe he is elite. These rules are not good rules. They are rules of cruelty that show his dark side schemes and they are set to follow a pattern. This pattern shows his portrayal of envy that he pertains. Although he also has a melancholy personality in where the other characters are still unsure of hisShow MoreRelatedWilliam Shakespeare s Much Ado About Nothing2083 Words   |  9 Pagesin the end, there are millions of ways that each individual defines love according to their experiences. One individual in particular is Shakespeare, who is widely known for expressing the significance of love in various plays of his, as he portrays several branches of love such as friendship, parental love, and romantic love. In Much Ado about Nothing, Shakespeare demonstrates the ways in which Claudio and Hero’s love shows the triumph of imagination over intelligence compared to Benedick and Beatriceâ€⠄¢sRead MoreWilliam Shakespeare s Much Ado About Nothing898 Words   |  4 PagesBeatrice, Benedick, and Love in Much Ado About Nothing William Shakespeare’s Much Ado About Nothing is set in thirteenth century Italy. The plot of the play can be categorized as comedy or tragicomedy . Villainy and scheming combine with humor and sparkling wordplay in Shakespeare s comedy of manners. Claudio is deceived into believing that Hero, is unfaithful. Meanwhile, Benedick and Beatrice have a kind of merry war between them, matching wits in repartee. This paper will attempt toRead MoreWilliam Shakespeare s Much Ado About Nothing1317 Words   |  6 PagesMuch to Do About Noting Deceit is the act of concealing or misrepresenting the truth. Deceit plays an important role in the plot of Shakespeare’s play Much Ado about Nothing. It also has a large influence on the relationships of the play. Much Ado about Nothing is a play written by William Shakespeare who is widely considered the greatest dramatist of all time. William Shakespeare was baptized on April 26, 1564, in Stratford-upon-Avon, England. From roughly 1594 onward he was an important memberRead MoreWilliam Shakespeare s Much Ado About Nothing3289 Words   |  14 PagesSection One Title Analysis: As an author, William Shakespeare had titles ranging from the light at heart and ethereal to the rigid and formal. The title, Much Ado About Nothing, is one such title that fits very neatly into his light at heart category. However this doesn t mean that the title doesn t reflect the story as in Shakespeare s other plays. His light at heart stories have titles that are just as reflective as his more serious titles. The title is an obvious indicator of the story thatRead MoreWilliam Shakespeare s Much Ado About Nothing1516 Words   |  7 Pages Danielle Silfies An Issue of Deception and Morality In William Shakespeare s play Much Ado About Nothing, many characters lack moral values and use deception as a tool to get a conclusion that they desire. Deceit is a concept that most of the characters experience in some form throughout the play. It is used to get Benedick and Beatrice to realize their feeling of love and admiration for each other. It is also used to pull characters like Claudio and Hero apart multiple times. Deceit is usedRead MoreWilliam Shakespeare s Much Ado About Nothing And Hamlet1503 Words   |  7 Pagesthoughts, well-being, actions, and interactions with the other set roles. 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The pronunciationRead MoreWilliam Shakespeare s Much Ado About Nothing3544 Words   |  15 PagesWhen examining the plays written by Shakespeare there are many instances where the common theme of marriage is shows. In the times of the 1600’s the ceremony of marriage was very common and done in a very orderly and strict fashion. In those time there was no aspects of a genuine love and heart felt marriage but instead they were seen as an agreement between the two parties. In many of the works of Shakespeare many characters deal with the issue of marriage and you begin to see the toll if had onRead MoreWilliam Shakespeare s Much Ado About Nothing1784 Words   |  8 Pagesis a witty, talkative character in Much Ado about Nothing. She is cousin to Hero, and also a close friend, however, s he and Hero are very much dissimilar, as Hero is a gentle and quiet young woman. She has a very sarcastic and joking nature. We can tell a lot from her first line. She says, ‘I pray you, is Signor Montanto returned from the wars or no?’ The pun used tells us that she has a wit and a joking manner. Also, we soon find out that she is talking about Benedick, therefore, giving us a hintRead MoreWilliam Shakespeare s Much Ado About Nothing Essay1971 Words   |  8 PagesTransition in Much Ado About Nothing William Shakespeare’s Much Ado About Nothing, a comedy filled with differences between genders, witty banter between memorable characters Benedick and Beatrice, a plot of revenge that involves one character faking her death and let’s not forget the masquerade marriage that comes to readers at the end. Much Ado About Nothing, court politics while still maintain a profound amount of humor and wit. However, it is the honor and shame that is prominent in Much Ado About Nothing